Conferences Zuozhen Liu, Guangdong Academy of Social Sciences March 25, 2022

Will the God Win? The Case of the Buddhist Mummy

The presentation explores the case of a stolen 1,000-year-old Buddhist mummy, the statue of Zhanggong-sushi, which caught the international community's attention.

The presentation Will the God Win? The Case of the Buddhist Mummy explores the case of a stolen 1,000-year-old Buddhist mummy, the statue of Zhanggong-sushi, which caught the international community’s attention.

The figure of Zhanggong-zushi is the embodiment of God in the eyes of the locals. The treatment of human remains is controversial and sensitive. This case opens a discussion as to how Western courts should consider religious interests in the disputes over stolen cultural property. The art world must understand how locals feel about losing their culture or religion.

 

 

 

Zuozhen Liu

Dr Zuozhen Liu is an Associate Professor of Law at the Guangdong Academy of Social Sciences (G.D.A.S.S.). Before joining the G.D.A.S.S., she worked for Jinan University as a post-doc research fellow. She is a part-time lecturer at Guangdong University of Foreign Studies and a part-time practising lawyer at DeHeng Law Offices (Guangzhou).
Dr. Liu’s research interests are in cultural heritage law, the rule of law, “one country, two systems”, and the politics of identity. She published in renowned scholarly journals, such as the Hague Journal on the Rule of Law International Journal of Cultural Property. Dr Liu holds a PhD in Art and Law from the University of Amsterdam. Her doctoral research elaborates on the legal and ethical issues of looted and stolen cultural objects from China, from the late Qing dynasty to the foundation of the P.R.C. Her research has been published in the book The Case for Repatriating China’s Cultural Objects (Springer, 2016). She has participated in several projects, providing suggestions to local governments on the business environment, cooperation between Guangdong and China’s two unique administrative regions, etc.

 

Research-based art practices in Southeast Asia
Conferences

Research-based art practices in Southeast Asia

Artistic "incursions" into academic fields are challenging the established system of knowledge production and, in particular, its domination by local authoritative discourses. This research seeks to analyse the creative entanglement of academic and artistic research in Southeast Asia, particularly Cambodia, Myanmar, Singapore and Vietnam, and to examine its epistemological significance as a potential new mode of knowledge production.

Caroline Ha Tuc, independent Hong Kong-based art writer, researcher and curator, 2022

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